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THE LANGUAGE OF OPERA

Starting dates: every 2 weeks
Duration:
2 weeks
Lessons:
30 per week
Tuition:
from the 3rd ability level on
Dates & Prices

This course consists of 4 lessons in a Standard Language Course plus 2 private tutorials on Italian Opera, each day.

Melodrama is a fundamental feature of Italian culture, and many foreigners, as lovers of lyric opera, are interested in understanding the words of libretti or of using the texts of operas to improve their Italian.

This course provides essential information on several operas, with the listening of some of the arias from these operas. From the vocabulary point of view, the course points out the differences between poetic and archaic Italian and the modern language.

As in all thematic courses, this one aims not only at providing knowledge of the language of opera, but also at improving the student’s general knowledge of the Italian language on the basis of the didactic principle that the things that interest us are much more easily assimilated.

Arias studied:

Mozart, Le nozze di Figaro: Non più andrai

Mozart, Don Giovanni: Mi tradì quell’alma ingrata

Rossini, Il barbiere di Siviglia: Una voce poco fa

V. Bellini, La sonnambula: Ah, non credea mirarti

Donzietti, L’elisir d’amore: Una furtiva lagrima

Verdi, Rigoletto: La donna è mobile

Verdi, Il trovatore: Tacea la notte placida

Verdo, Il trovatore: Di quella pira

Mascagni, Cavalleria rusticana: Mamma quel vino è generoso

Puccini, Tosca: Vissi d’arte

Leoncavallo, I pagliacci: Vesti la giubba

Puccini, La bohème: Che gelida manina

Puccini, Giovanni Schicchi: O mio babbino caro

If a student is particularly interested in a specific opera, the course can be based on that work for both the listening and the study of the text.

These are the libretti most often used with annotated editions with notes for foreigners:

1. La Traviata

2. Cavalleria rusticana

3. Rigoletto

4. La Bohème

5. Il Barbiere di Siviglia

6. Tosca

7. Le nozze di Figaro

8. Don Giovanni

9. Così fan tutte

If a student is particularly interested in another opera or in a particular topic, we recommend that he or she inform us before arriving in order to give the instructor sufficient time to prepare a specific program with selected texts.